composer for film and theatre

[imdb] [crew united] [swiss films]


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VARIETY | JD LINVILLE | ON ‘OSTROV’
“Marcel Vaid broke down a piano and started making strange sounds with some strange devices. It was like a shamanic ritual.”
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> listen+watch [opening sequence] [white horse]
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AARGAUER ZEITUNG| JULIA STEPHAN | ON ‘TATORT – SCHATTENKINDER’
“Die grossartig düstere Filmmusik von Marcel Vaid hebt den Zürcher Tatort auf der Klangspur abermals wohltuend vom Einheitsbrei der deutschen Konkurrenz ab.”
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> listen+watch [son] [cocoon] [tattoo] [motorcycle boy] [spyware] [revenge]
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JURY FESTIVAL DE CANNES | ON ‘CHRIS THE SWISS’
“Award-winning composer Marcel Vaid has created an intensely strong score to Anja Kofmel’s extraordinary story ‘Chris the Swiss’.”
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> listen+watch [the attack] [the new world]
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HOLLYWOOD REPORTER | LESLIE FELPERIN | ON ‘MY NAME IS SALT’
“With fine-tuned assistance from composer Marcel Vaid (whose light, tinkling score is a delight), the filmmakers evoke the insistent rhythms of the family’s labor.”
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> listen+watch [main theme]
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SÜDDEUTSCHE ZEITUNG | ANETTE SCHEFFEL | ON ‘GOODNIGHT NOBODY’
“The physical state of sleeplessness – the feeling as if the nerve fibres were located outside the skin – are being perceived through the buzzing, throbbing sounds of Marcel Vaid’s film music.”
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> listen+watch [main theme]
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four times winner swiss filmprize quartz ‘best filmmusic’
2009 | 2011 | 2016 | 2019

composer for film and theatre
musician superterz
member european film academy_efa
member swiss film academy
board sonart_association swiss musicians

correspondence:

marcel vaid
laurenzgasse 3
ch-8006 zurich
switzerland

mail to:

marcelvaid(at)bluewin.ch