composer for film and theatre

[imdb] [crew united] [swiss films]


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TITTELBACH.TV / ON TATORT – RISIKEN MIT NEBENWIRKUNGEN
“Gelungen dagegen ist der durchgehende elektronische Sound, der die kühle Erzählung um den Pharmafall kongenial ergänzt. Nach etwa einer Stunde dreht Vaid den Ton tiefer und fügt ein Zittern hinzu.”
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> [frau scherrer] [tankstelle] [falsche studie ] [durchsuchung riva] [pflegen] [tod gastmanns] [clara]
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VARIETY | JD LINVILLE | ON ‘OSTROV’
“Marcel Vaid broke down a piano and started making strange sounds with some strange devices. It was like a shamanic ritual.”
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> [opening sequence] [white horse]
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AARGAUER ZEITUNG| JULIA STEPHAN | ON ‘TATORT – SCHATTENKINDER’
“Die grossartig düstere Filmmusik von Marcel Vaid hebt den Zürcher Tatort auf der Klangspur abermals wohltuend vom Einheitsbrei der deutschen Konkurrenz ab.”
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> listen+watch [son] [cocoon] [tattoo] [motorcycle boy] [spyware] [revenge]
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JURY FESTIVAL DE CANNES | ON ‘CHRIS THE SWISS’
“Award-winning composer Marcel Vaid has created an intensely strong score to Anja Kofmel’s extraordinary story ‘Chris the Swiss’.”
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> [the attack] [the new world]
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HOLLYWOOD REPORTER | LESLIE FELPERIN | ON ‘MY NAME IS SALT’
“With fine-tuned assistance from composer Marcel Vaid (whose light, tinkling score is a delight), the filmmakers evoke the insistent rhythms of the family’s labor.”
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> [main theme]
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SÜDDEUTSCHE ZEITUNG | ANETTE SCHEFFEL | ON ‘GOODNIGHT NOBODY’
“The physical state of sleeplessness – the feeling as if the nerve fibres were located outside the skin – are being perceived through the buzzing, throbbing sounds of Marcel Vaid’s film music.”
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> [main theme]
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four times winner swiss filmprize quartz ‘best filmmusic’
2009 | 2011 | 2016 | 2019

composer for film and theatre
musician superterz
member european film academy_efa
member swiss film academy
board sonart_association swiss musicians

correspondence:

marcel vaid
laurenzgasse 3
ch-8006 zurich
switzerland

mail to:

marcelvaid(at)bluewin.ch