THE HOLLYWOOD REPORTER | ‚HEAT‘
„Featuring highly stylized imagery and sound to bring the heat to viewers in all its intensity, the doc is set in the Persian Gulf, with temperatures crossing the 50 degrees Celsius“ (Georg Szalai)

FILMPLUSKRITIK | ‚BLAME‘ | 2026
„Dafür sorgen der hervorragende, aus Stücken von Jóhann Jóhannsson bestehende Soundtrack von Marcel Vaid, der den Aufnahmen von abgelegenen Fledermaushöhlen geradezu poetische Qualität verleiht.“

>listen+watch [POETIC QUALITY]

AARGAUER ZEITUNG | ‚TATORT – RISIKEN UND NEBENWIRKUNGEN‘ | 2022
„Atmospheric this fourth Zurich „Tatort“ knows only one direction: into total television depression. The gloomy film music by Marcel Vaid takes care of the rest.“

>listen+watch [GLOOMY FILM MUSIC]

CINEUROPA | ‚DON’T LET THE SUN‘ | 2026
„Most of the scenes feature little to no dialogue and mostly rely on the atmosphere, which is generated by a blend of visuals, and carefully chosen and sporadic sounds (special praise goes to the music by Marcel Vaid).“ (Veronica Orciari)

listen [PRAISED MUSIC]

VARIETY | ‘OSTROV’ | 2021
“Marcel Vaid broke down a piano and started making strange sounds with some strange devices. It was like a shamanic ritual.”

>listen+watch [STRANGE SOUNDS]

FESTIVAL DE CANNES | ‚CHRIS THE SWISS‘ | 2019
„Award-winning composer Marcel Vaid has created an intensely strong score.“

>listen+watch [STRONG INTENSE SCORE]

HOLLYWOOD REPORTER | ‘MY NAME IS SALT’ | 2013
„With fine-tuned assistance from composer Marcel Vaid, whose light, tinkling score is a delight”

>listen+watch [TINKLING SCORE]

SÜDDEUTSCHE ZEITUNG | ‚GOODNIGHT NOBODY‘ | 2011
„…the buzzing, throbbing sounds of Marcel Vaid’s film music.“

>listen+watch [BUZZING THROBBING MUSIC]

SCREEN DAILY | ‚THE FORUM‘ | 2019
„Marcel Vaid’s news-report style score is employed sparingly, but helps to drive the film along.“

>listen+watch [NEWS REPORT STYLE MUSIC]