> Press extracts

JURY ZURICH FILMPRIZE | LES PARADIS DE DIANE
“While the refreshingly different background music creates an additional emotional depth“
listen+watch [BUSDRIVE]

HOLLYWOOD REPORTER | MY NAME IS SALT
“With fine-tuned assistance from composer Marcel Vaid (whose light, tinkling score is a delight), the filmmakers evoke the insistent rhythms of the family’s labor.“
listen+watch [SALT THEME]

JURY FESTIVAL DE CANNES | CHRIS THE SWISS
„Award winning composer Marcel Vaid has created an intensely strong score to Anja Kofmel’s extraordinary story ‚Chris the Swiss'“
listen+watch [NEW WORLD]

SÜDDEUTSCHE ZEITUNG | GOODNIGHT NOBODY
“The physical state of sleeplessness are beeing perceived through the buzzing, throbbing sounds of Marcel Vaid’s film music“
listen+watch [GOODNIGHT NOBODY]

VARIETY | OSTROV
“Marcel Vaid broke down a piano and started making strange sounds with some strange devices. It was like a shamanic ritual.”
listen+watch [PROLOGUE]

TITTELBACH | TATORT – RISIKEN UND NEBENWIRKUNGEN
“The continuous electronic sound, on the other hand, successfully complements the cool narrative surrounding the pharmaceutical case. After about an hour, Vaid turns the frequencies lower and adds a tremor.”
listen+watch [SUPERDRIVE]